Indiana Jones and Iron Man: location, location, location
by Matthew Jaffe, Sunset senior writer
We moved into the summer movie season this weekend and as usual the West is making cameos as every locale from Afghanistan to the Amazon. Even in an era of increasingly sophisticated computer generated effects, nothing beats location shooting, as two of the year’s biggest movies, Iron Man and Indiana Jones and the Kingdom of the Crystal Skull are proving. (For a look at some of these and other film locations, check out Vacation On Location at fandango.com.)
Living in SoCal, I’ve grown accustomed to seeing places I know pop up on screen, even in comic book movies such as Iron Man. Movies always require a certain suspension of disbelief, but this one a bit more so than usual thanks to its use of familiar locations.
Tony Stark’s mansion for example was computer generated then plopped down on one of my favorite coastal spots, Malibu’s Point Dume— which luckily has stayed mostly free of such architectural megalomania. There are key scenes at Walt Disney Concert Hall, a building that managed to look every bit as futuristic as Tony’s home, while the Alabama Hills and the Eastern Sierra near Lone Pine stood in (and convincingly) for Afghanistan.
Along with Kanab, Utah and Monument Valley on the Arizona-Utah border, Lone Pine is one of several remote spots around the West with a long movie tradition. Filmmaking in this High Desert Hollywood dates to the 1920s and the stark landscape has appeared in numerous westerns, as well as in epics ranging from Gunga Din to Gladiator.
Each October, the community hosts the Lone Pine Film Festival, which features screenings and tours of movie locations, including a special guided trip, Iron Man and Beyond, that will take visitors out to sites used in the film. The Lone Pine Film History Museum (which has a new Iron Man exhibit) also offers an excellent self-guided tour brochure with ten stops in the Alabama Hills along what has come to be known as Movie Road.
Indiana Jones also made extensive use of western landscapes. The movie opens in Nevada, which is actually played by New Mexico’s Ghost Ranch northwest of Santa Fe. With appearances in 3:10 To Yuma and The Missing, Ghost Ranch has emerged as a go-to filming location in recent years. Then again, Steven Spielberg, Ron Howard et al have nothing on artist Georgia O’Keeffe; she moved to the area in the 1930s and eventually lived for 50 years around Ghost Ranch and Abiquiu.
The landscape became synonymous with her art, and she described it as “perfectly mad looking country—hills and cliffs and washes too crazy to imagine all thrown up into the air by God and let tumble where they would. It was certainly as spectacular as anything I’ve ever seen—and that was pretty good.”
The other major location for Indiana Jones is the Puna District on the Big Island south of Hilo. Spielberg used the dense jungles of this, the wet side of the Big Island, during a chase scene that ranks with the best in the Jones series. The swinging vines and chaotic thickets of albizzia and wild guava are the botanical opposite of the open high desert expanses of Ghost Ranch. It helps give the movie the geographic sweep that viewers have come to expect in the Indiana Jones films and is a reminder of what Hollywood has known for generations: to see the world, all you have to do is get out and explore Sunset’s West.
(Movie Stills copyright Paramount Pictures)















